Woodland Studios is the cultural anchor of East Nashville’s Five Points, a bustling district of restaurants, bars, and vintage shops that some consider the heart of the greater artistic enclave found east of downtown Music City. Woodland is the home studio of musical and life partners David Rawlings and Gillian Welch, as well as the headquarters for the duo’s Acony Records. Nearly destroyed by the deadly March 2020 tornadoes that devastated much of Nashville (the pair actually rushed out mid-storm to rescue master recordings), Woodland is still standing, though only after substantial repairs. That close call inspired Welch and Rawlings to celebrate their musical home with this album, which also notably bears both artists’ names. (The pair has a tendency to alternate album billing for their always-collaborative projects, like Rawlings’ credit for 2017’s Poor David’s Almanack and Welch’s for 2011’s celebrated The Harrow & The Harvest.) Accordingly, Woodland is as crackling and alive an album as the pair has made, leaning into the warmth of its homey origins and the ease of the duo’s fruitful and supportive creative partnership. Production is lusher and more complex, though never distractingly so—as always, the pair’s ultimate reverence is for songcraft, as heard on the evocatively titled opening track “Empty Trainload of Sky,” which could hint at the awestruck horror wrought by a tornado, or “The Day the Mississippi Died,” a clever bit of social commentary that also breaks the fourth wall (“I’m thinking that this melody has lasted long enough/The subject’s entertaining but the rhymes are pretty rough”). Other highlights include “Hashtag,” which avoids hollow social media commentary in favor of acknowledging the plight of artists whose names only become media fodder in death, and closer “Howdy Howdy,” a sweet encapsulation of the pair’s unbreakable connection.